
“Nerdection Excellent Read”
In The Gatekeeper, Martha Cecilia Rivera writes poignant fiction to show the shameful reality that should be unacceptable in the daily life of any society. Firone Monse had everything he wanted, except Almanza. Falling in love late in life was supposed to be his redemption, but what if she didn’t feel the same way? Would he let her go, or turn to darker means?
Spoiler-Free Plot:
At the threshold of eternity, a figure arrives whose presence disturbs even the timeless routines of heaven. Saint Peter, long stationed at the gates, has endured centuries of arrivals with patience. Once a fisherman, once a disciple, now a watchman of souls, he carries the burden of a role he never chose. And he blames Jesus for it.
The quiet shatters when Firone Monse arrives at the gates. His voice carries not only urgency but also the residue of a turbulent life. His shouting is not the noise of confusion but the cry of someone who believes he has unfinished business, someone unwilling to be forgotten. Peter feels the strain of it immediately.
What complicates the matter further is a woman, Almanza. To Peter, she is a stranger, but in Firone’s story, she was once both victim and muse, beloved and wounded. In his final years, Firone claimed love for her, yet that love was entangled with harm, regret, and the complicated power men wield over women.
Can abusers ever find redemption? Should the voices of the wounded be asked to forgive? And how does love, broken and distorted, fit into the final reckonings of the universe?
My Take on The Gatekeeper:
The writing was fluid and vivid, with strong descriptive passages that really brought the world to life. At times, it focused more on detail, which worked well in immersive scenes but felt drawn out in slower moments. The writing consisted mostly of monologues and the inner turmoil of characters.
That said, the characters themselves were layered and compelling. Although they weren’t always likable, they felt real. Relationships between them were complex, and the dialogue carried much of the emotional weight. Their backstories were laid out perfectly, hooking me from the start. The supporting characters were engaging, making it hard for us readers not to root for them.
The author clearly gave much thought to world-building and added details that made the setting easier to understand without overwhelming the reader. The small touches worked together to create a world that felt lived in rather than just imagined.
The plot involved a bit of psychology as well. Firone Monse became entangled with women who were desperate. He gave them just enough attention to pull them in, only to later make them work for him. This dynamic added a darker, manipulative edge to his character, creating tension between what was a genuine connection and what was control. It challenged me as a reader to question his motives, while also considering the vulnerabilities of those around him.
Overall, this is a book that leans heavily on intimacy. It’s not a light read, whether taken emotionally or thematically, but it delivers a striking and memorable story if you’re open to heavier, more mature content.
A beautiful exploration of love, power, and redemption, this story stays long after the final page is turned.
Trigger Warnings
Trigger warnings include nudity, highly intimate scenes, Suggestive/sexually charged content, and domestic abuse.
Age Rating
This book is recommended for 18+ readers due to the sexual content and overall mature themes.
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About The Author Of The Gatekeeper
Martha Cecilia Rivera, a Chicago-based bilingual author, published her first novel in her city in 2014, Ghosts for Long Nights (Comun Presencia Publishers). In 2015 her poem Bretch Steps was selected as the opening for the International Poetry Festival “Juarez Solidarity.” In 2019 was awarded with the Second Place North Texas Book Festival with her novel La fatalidad de la gallina (Ars Comunis Editorial, 2018). Upcoming novels from Martha Cecilia are Chicago Trilogy (2025) and The Gatekeeper (2026). Currently Martha Cecilia is working on her new novel Let’s Play Voices, and a second collection of ministories and videos.
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